Image Courtesy of City of Sydney Archives
Since first opening in 1898, the QVB has had a mercurial history. Designed by George McRae, it replaced the original Sydney Markets and was named to honour the monarch's Diamond Jubilee. Elaborate Romanesque architecture was chosen for the grand building, which housed a concert hall, coffee shops, showrooms, warehouses and a wide variety of tradespeople. Over many decades, the concert hall became the city library, offices proliferated and many tenants moved in.
Drastic Art Deco 'remodelling' occurred during the 1930s to accommodate the main occupant - Sydney City Council. From 1959 to 1971, the QVB faced near- demolition. A massive restoration project was given the green light and, in 1982, Ipoh Garden was awarded the restoration project and a 99-year lease. The fully restored Queen Victoria Building reopened her doors to Sydneysiders and visitors alike in 1986. A major refurbishment in 2009 restored her even further. Today the QVB stands in all her glory, testimony to the original vision for the building and the superb craftsmanship of the artisans who put it all back together again.
A complete summary of the site's history is outlined below.
George McRae submits four designs for the QVB facades: Gothic, Queen Anne, Renaissance and Romanesque. The Market's committee chooses the Romanesque design and decides the building should accommodate the following:
the Coffee Palace (a residential hotel) over several floors at the Druitt street end, a concert hall for 500 people at the Market Street end, shops, warehouses, markets in the basement served by four hydraulic lifts.
In December of this year the foundation stone is laid by Major William Manning.
Designs are invited for an allegorical group of marble figures over the central arch in George Street. The contract is awarded to Mr W P Macintosh for two groups: one in George Street and one in York Street above the main arches, for a sum of [3,3000] pounds.
The ground floor has 58 shops with a variety of tenants, including:
tailors, mercers, boot importers, hairdressers, tobacconists, florists, chemists, fruiterers, a tea room.
On the first floor are 17 large rooms, warerooms, showrooms and offices. On the second floor are 12 large rooms with a gallery.
At the southern end is the Coffee Palace featuring:
a dining room, sitting, drawing and public rooms, 57 bedrooms, a gallery and promenade.
Little mention is made of the basement tenants but the accommodation includes:
strong rooms, cooling chamber, wine bodegas and cellars and public toilets.
The basement is now occupied by:
Lindemans Wines, Busby Wines, printers, Direct Fruit Supply Co.
The Concert Hall has become the City Library and the Coffee Palace has become offices.
Other tenants include:
piano tuners, teachers of dancing, palmists, clairvoyants.
Later this year electric power and lighting is installed throughout the building.
Galleries are floored over and shopfronts are remodelled again in the Art Deco style featured in the area occupied by the Sydney County Council.
July/August: restoration of minor domes commences, proving to be a time consuming task for copper craftsmen.
June: Malaysian company Ipoh Ltd develops a restoration scheme for QVB.